All kinds of other cool stuff can be done with an MX-8, including MIDI channel offset, creating keyboard splits on monotimbral gear, velocity cross-switching, and programmable delays. It's also great for merging MIDI signals and for changing patches on all your kit at the hit of a button or connected footswitch. I believe that function is called the 'compander'. Yes I also use that velocity curve programming for certain keyboards (like my Yamaha Clavinova) that don't go all the way to 127 velocity. MX-8 as well, and it's an indispensable tool in my hardware setup. I don't recall reading anyone doing the same, but I can't be alone, right? So what's your best combination so far? It's a function ressembling a Roland D-50, but with more than 2 patches at the same time. I just started doing this (I'm still a newbie on many points), so there'll be a lot more to hear in the future. And I could add 5 other layers since the patch bay has 8 entries! In my case, the preset piano from the Roland U-220, Yamaha TX81Z and "Fosterism" from a Korg M3R gets a pretty decent sound. Using the piano presets on ALL of them at the same time produces a much better piano sound, getting a lot closer to reality (as far as I know it, but I'm not a pro nor a piano owner). All those ordinary or old synths don't have a great piano preset, of course, but they all come close up to a point. The best example I can think of is the piano. From my main keyboard controler, I can play multiple synths at the same time using a Roland A-880, thus getting great combined sounds never heard before. ![]() ![]() Is anyone doing the same as I am? I recently made a nice discovery about using multiple rack synths controlled through a midi patchbay. I can't seem to find a similar thread around here, so I try my chance.
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