![]() Return to Content Dragonframe – With iPhone and Other Cameras!ħ:30pm – 9:30pm Technical skills development Beginner The Regent Park Animation Jam Community Project.The Frame is the Keyframe: Frame Anomalies.Call (Completed) for submissions: Bewitched.Call (Completed) for Submissions: 14th Annual TAIS Showcase.Call (Completed) for 2020 Anijam submissions.Amanda Strong – Creative Storytelling Through Animation: Workshop.Special Projects & Commissioning Initiatives.2019-20 International Artist in Residence.CALL: (Completed) 2020-2021 Canadian Artist in Residence.CALL: (Postponed – Covid-19) imagineNATIVE/TAIS Indigenous Artist-in-Residence Program.2021 (Completed) Call for Artists in Residence.Poster – TAIS 11th Annual Animation Showcase.Poster – 12th Annual TAIS Animation Showcase.AWARDS – 12th Annual ANIMATION SHOWCASE.AWARDS – TAIS 13th Annual Animation Showcase Winners.14th Annual TAIS Showcase Poster Reveal!.The 15th Annual TAIS Showcase Poster reveal!.SHOWCASE WORKSHOP: Outdoor Animation Techniques.MATINEE PROGRAMME: TAIS Showcase Matinee: Local Exposure.GALA PROGRAMME: Showcase Competition & Gala Screening.Canadian Artist In Residence Artist Talk.STYLY x TAIS: AR Workshop – From Basics to Creating!.Honami Yano’s “A Bite of Bone” – Screening, Artist Talk & Workshop.16th Annual TAIS Animation Showcase Poster Reveal.16th Annual TAIS Animation Showcase Awards.16th Annual TAIS Showcase MATINEE program.2020-21 Spring (Covid-19 Online Pilot) Studio Skills Workshops.2020-21 Fall Studio Skills Courses and Workshops.2020-21 Winter Studio Skills Courses and Workshops.TAIS Studio Skills Fall/Winter 2022-2023.Offsite Rentals – Animation Production Equipment. ![]() TAIS Policy ~ Anti-Discrimination & Harassment.Turn a light off after you press the shoot button, and then back on after the high-resolution image is captured. Go to Preferences : Capture and set a capture delay of several seconds.Use the DDMX-512 to control a bash light through a relay.Use the DDMX-512 to control a bash light through DMX.There are a few ways to set up a bash light with Dragonframe: This is a light that is on for the animator and video assist, but off for the high-resolution capture. Use a bash light (also called a work light).You have exceeded the limits of the live view exposure simulator (inside the camera). The reason is simple: the lens doesn’t have enough light. This is especially problematic for manual aperture lenses, since the aperture is always stopped down. We often get calls from people who are on a dimly lit set, with their aperture stopped down to f/22, and with “Exposure Preview Offset” set all the way to “+4”, and they want to know why the live view doesn’t match their high-resolution image. Possible Cause #4: The sensor isn’t getting enough light. If you still can’t get close with the exposure preview offset, let us know. Power down the camera and then try your Nikon lens.Open the aperture as much as it can go (lowest f/stop number).Attach a Canon digital lens to the camera.Sometimes the internal live view calculation is thrown off by the last digital lens connected. You can read more about the problem and see another solution here. Usually you can adjust the live view to match the high-resolution images by adjusting the “Exposure Preview Offset” in the Cinematography workspace’s Camera Settings. The downside is that this can affect the live view exposure simulation of the Canon cameras. We recommend using a manual Nikon lens on Canon body, because this avoids flicker. Possible Cause #3: Using a manual aperture lens on a Canon body Just make sure you’ve followed that step. If there is a setting, it will be called out in our setup instructions. It is either “always on”, or there is a setting to turn it on. The Canon live view DSLRs all have exposure simulation. Possible Cause #2: Exposure Simulation is turned off Make sure to check your high-resolution images early and often. In this case, you will have to live with the difference. This means that their live view exposure level auto-adjusts all the time, and does not reflect changes in camera settings. Most of the Nikon cameras do not have live view “exposure simulation”. In the animation workspace you are typically working with the video assist images from your camera, although you can switch to review your high-res images. In the cinematography workspace you set up your high-resolution capture settings and take test shots to make sure that your final images will look correct. First of all, it is super important to understand that the live view and high-resolution images are different.
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